A Podcast About Bad Movies
Despite being one of the more nothing movies we’ve ever watched, we somehow crap out what we believe to be our longest episode with G.I. Joe: Retaliation. It’s a living. Meanwhile, Dan and Elliott explain what “G.I. Joe” means, and develop President Ziggy, and Stuart reveals he’s an evil land developer.
We discuss Easy Rider: The Ride Back, an object lesson in why you should never let a movie’s sequel rights lapse. Meanwhile Dan explains the Flop House fan caste system, Elliott puts the “bar” in barter, and Stuart knows nothing about robots.
1980 was a simpler time, when you could put Clint Eastwood together with an orangutan, not bother to come up with a story, and release it as a major motion picture
We talk about Grudge Match, the movie that pretends DeNiro has a chance against steroidal Stallone. Meanwhile Dan discusses Kevin Hart’s need to do only Kevin-branded movies, Elliott uncovers Sean Connery’s strange belief he’s in every movie, and one of Stu’s relatives makes an unexpected appearance.
Han Solo vs. Commissioner Gordon sounds awesome, until you realize the star of Paranoia is actually a Hemsworth brother. And not the good one. Meanwhile Elliott doubles down on the size of Gary Oldman’s penis, Stuart disturbs us by talking about intimate times and Dan introduces the notion of a California Raisins fetish.
We return to a big, old-fashioned Hollywood flop with Gangster Squad, the movie that takes a bunch of good actors and a promising director and churns out a film thats absurd and deadly dull by turns. Meanwhile Elliott gives Hoagie Carmichael gift advice, Stuart comes out for cast awareness, and Dan is tired and really doesn’t keep up his end of the co-hosting duties. This episode brought to you by the letter “H.”
In which Dan makes the mistake of thinking that, because Renny Harlin directed Devil’s Pass, it would be crazy and weird, rather than draggy and significantly more boring than reading the Wikipedia page about the real Dyatlov Pass incident. Then, we forgo letters and recommendations to offer a condensed version of our usual Awards Floptacular, because no one (including us) really cared much about the Awards Floptacular anyway.
Consider our debt to “He’s the Housecat (Arthur’s Theme)” music video contest winner Dan Costales paid in full! Was it worth it Dan? Was if worth the pain you caused? Making us watch the pre-Oscar Halle Berry racist stereotype comedy “B*A*P*S?” Meanwhile Elliott continually implies Martin Landau is a vampire, Stuart reveals how all males are sexually threatened by him, and Dan suggests that the Crypt Keeper should’ve come up with a better B*A*P*S twist.
We ease Elliott back into the Flop House groove with a movie right in our wheelhouse: the Men in Black/Ghostbusters-lite disaster R.I.P.D. Meanwhile Dan introduces the concept of ghost hats, Elliott uses the new recording space for its foley possibilities, Stu rails against shark-drummer racism, and the whole gang does their impeccable Boston accents.
Hallie closes out her month-long residency subbing for the newly-dad-ified Elliott with a doozy. It’s Tyler Perry’s Temptation: Confessions of a Marriage Counselor. Meanwhile Stu can’t seem to pronounce Kim Kardashian correctly, Dan advertises his new calendar concern, and Hallie outlines a proper musical exercise routine.
It’s the Flop House crew vs. the Dream Team in an all-out dance/bad movie fight to the finish, as we discuss Battle of the Year. Meanwhile, Stu challenges our missing co-host for synopsis supremacy, Dan discusses Vincent Van Gogh’s battle with his own body, and Hallie drops the world’s best rooster pun.
Hawkey Holidays to all the little Flop House boys and girls. Your present is the movie-length chase scene Getaway. Meanwhile, Dan takes on the liberal media, Stuart gives one of his patented Flop House asides, and Elliott reminds us all of Dorf’s amazing performance in Don’t Look Now.
Hey, remember when we all used to celebrate Christmas? Last Ounce of Courage takes us back to that magical time. Meanwhile, Stu is upset at the way Wolverine treated his Christmas gift, Dan fails to have perspective about his knee, and Elliott reveals the Jesus/Ducktales crossover.
It’s the movie they tried to pretend M. Night Shyamalan had nothing to do with: After Earth. Meanwhile, Elliott introduces us to the Crypt Keeper’s brother, Stuart meets his Phantasm hero, and Dan just needs to explain a few things first.
The three peaches spend this episode cloning around about Star Wars: Episode II: Attack of the Clones, as part of a podcrawl with Read it and Weep (who took on Episode I) and Proudly Resents (who will be taking on Episode III). Meanwhile, Dan’s space gaydar is misaligned, Elliott explains the proper way to steal a cake, and the greatest secrets of Stuart’s nerdiness are revealed.
Hey, you guys ever think to yourself, “I like Toy Story, but I wish it could be more commercial, ugly, and frenetic?” Welcome to Foodfight! Meanwhile, Dan points out the movie’s one “goof,” Stuart brings it back to “Just One of the Guys,” and Elliott introduces his new “Southern Tin Tin Enthusiast” character.
Hey guys, who do you think you’re gonna murder during The Purge this year? Meanwhile, Dan argues for greater creativity in purge-crime, Elliott introduces “Spoiler Alert Rod Serling,” and Stuart makes us all uncomfortable with his sudden surge in the perv ratings.
Thank you ATM for blowing the lid off the all-too-common crime of ATM serial killing. Meanwhile, Stuart discovers the concept of the spoiler alert, and Elliott and Dan trade impressions of one of the most oft-imitated voices in Hollywood usurping the signature role of another most-imitated-voice in Hollywood.
No detailed notes for this episode, because 2/3 of the Original Peaches are in Los Angeles this weekend, including the one who writes the show notes, who really should be packing his luggage RIGHT NOW.
Upside Down is a movie about two young lovers from planets with reverse gravity, and we somehow make it through the whole episode without making a joke about 69-ing. Meanwhile, Stuart gets his annual review, Dan can’t stop getting all science-y, Elliott discusses auto-erotic time travel, and… we’ll let you enjoy the surprise.
Walter Hill has made several great movies in his career. Is Bullet to the Head one of them? Meanwhile, Stuart unveils a new impression in his repertoire, Dan inspires a discussion about the horrors of gorilla sex, and Elliott keeps missing our special celebrity guest.
Hansel & Gretel: Witch Hunters was produced by Adam McCay, so it was clearly meant as a goof, but is that enough? Meanwhile, Elliott makes an indecent proposal, Dan reveals a startling breadth of knowledge regarding Misty Mundae’s acting career, and Stuart lays down the pun laws. Also, the OP’s receive the GREATEST GIFT IN THE HISTORY OF MANKIND.
We hope the psychic damage we endured was worth it do you guys: we finally caved and watched Marmaduke. Meanwhile, Elliott reveals Marmaduke’s historical shenanigans, Stuart’s Pacific Rim review gets scatological, and Dan would be indulging in blatant Parade-pandering with his Howard Huge reference, if we hadn’t recorded before they endorsed us.
We finally get to the Roger Ebert tribute episode, with our movie pick voted on by you from his book “I Hated, Hated, Hated this Movie.” You chose The Scarlet…
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