We reach way back into the Flop House vault to bring you a live show from the winter, with Suicide Squad. The commercials are all-new, though. That’s good for something, right? Meanwhile, Elliott tries to sell us the character of the Joker, Stuart suggests the hell of being Boomarang, and Dan is accident prone.
We watch the dog grief porn A Dog’s Purpose. Meanwhile Dan gets to the bottom of a Lassie mystery, Stuart gives us a hall pass, and Elliott masturbates to rhymes. Apologies for the audio that makes it sound like Stuart is in the other room. We have no idea how that happened.
Live from Cake Shop as part of NYC Podfest. It’s Gods of Egypt.
Think you’re too good for the Oxford comma, Men, Women & Children? WELL WE’RE TOO GOOD FOR YOU. Meanwhile Stu explains “X-Men nudity,” Dan makes a call for an annotated Flop House, and Elliott explains the music your kids’ kids are gonna love.
We will never watch anything with nearly three hour bloat again, so enjoy the special snowflake that is us discussing the most recent installment of Bayhem, Transformers: Age of Extinction. Meanwhile, Elliott explains how to find a Transformer’s clitoris, Stuart keeps on Castle Freakin’ on, and sleepy Dan (sort of) returns. Press the play button […]
Recorded on 1/9/2015 in front of a live, sold out crowd in The Bell House in Gowanus, Brooklyn.
Song of the autumn contest winner Jason MacIssac decreed that we should be subjected to legendary season-one-of-American-Idol ancillary flop From Justin to Kelly. Did he take it easy on us, or is there now a bounty on his head? Meanwhile Stuart introduces his innovative new restaurant concept, and Elliott murders Dan on air.
A returning Flop House director guides a cast of returning Flop House stars in an eruption of mediocrity named Pompeii. Meanwhile Stu asks a provocative question about Cenobites, Elliott reveals an early draft of a Robert Louis Stevenson classic, and Dan debuts his new hit character.
