This is a big one folks. Batman v. Superman v. The Flop House. Meanwhile Stuart makes it very clear this is not your daddy’s anything, Dan does a dead-on Katherine Hepburn, and Elliott reveals how Nicholas Cage rents softcore pornography.
We’ve seen him 3D, but are we ready for Dracula: Untold? Meanwhile Stuart demonstrates his innovative mixology, and Elliot and Dan reveal the surprising Dracula-centric details of the Mad Men finale.
Merry Cagemas everyone! The store was all out of Left Behind (well… it hasn’t been released to video or streaming yet), so we got you a Rage. We hope you’re not too disappointed. Meanwhile Elliott reads the Looney Tunes dinner specials, Dan reveals the medical source of his word-slurring, and Stuart just can’t stop chewing.
Song of the autumn contest winner Jason MacIssac decreed that we should be subjected to legendary season-one-of-American-Idol ancillary flop From Justin to Kelly. Did he take it easy on us, or is there now a bounty on his head? Meanwhile Stuart introduces his innovative new restaurant concept, and Elliott murders Dan on air.
A returning Flop House director guides a cast of returning Flop House stars in an eruption of mediocrity named Pompeii. Meanwhile Stu asks a provocative question about Cenobites, Elliott reveals an early draft of a Robert Louis Stevenson classic, and Dan debuts his new hit character.
“Flash Gordon’s Holiday Special!” It’s 100% written by the three Original Peaches (under the editing of Nate Cosby) — including seasoned comic writer Elliott, and newbies Dan and Stu making their national COMICS DEBUT)!
Thus we enter November, the month known for having “No” theme. And, appropriately, we watched one of the most generic of modern action sequels, 300: Rise of an Empire. Meanwhile, Elliott lectures on Noid avoidance, Dan makes a public apology relating to one type of music and attacks another, and Stu makes an exciting announcement for enjoyers of comical books.
We hope the psychic damage we endured was worth it do you guys: we finally caved and watched Marmaduke. Meanwhile, Elliott reveals Marmaduke’s historical shenanigans, Stuart’s Pacific Rim review gets scatological, and Dan would be indulging in blatant Parade-pandering with his Howard Huge reference, if we hadn’t recorded before they endorsed us.
