AI is bad, except maybe it’s not, maybe AI will help you solve the murder of your wife before it executes you for the murder of its wife… wtf is Mercy saying, anyway? Maybe it’s saying if you put your hero in a chair for 100 minutes your movie will feel inert. Especially if Chris Pratt is that hero? Hard to say, but we do our best to untangle one of the silliest flops of the year.
He missed March by four days, but hey, there’s nothing in the rulebook that says Elliott can’t lead us in a March Madness showdown to determine which cinematic fantasy land would be best to live in!
“What’s the Bratz of the 2020’s?” we asked ourselves, chasing that ultimate Bratz high. “Could it be Gabby’s Dollhouse: The Movie?” While perhaps not reaching those lofty heights, this was nearly as bonkos as reviews suggested it would be — a psychedelic fantasia filtered through a combination Hello Kitty/candy store. The movie was not meant for us, but we had a fun time talking about it.
Stuart leads a discussion of stand-up comedy in the movies, with the help of our special guest: acclaimed comic and longtime pal, Matt Koff.
On this episode, we discuss ELLA MCCAY, which — based on its poster — is a movie about a woman having trouble with her shoe. Hmn. That can’t be right. Well, whatever it’s about, it’s made by the legendary James L. Brooks, so we can be sure it’ll have a clear plot, strong themes, and a comprehensible emotional throughline!
The world is, how do you say, “un feu de poubelle.” So Dan took this mini as a chance to do a little check-in with his pals. How’s everyone doing?
You probably thought we forgot the hedgehog beat! We were just biding our time. Sometimes slow and steady wins the race, SONIC. We welcome our returning Senior Hedgehog Correspondent, Jamelle Bouie, who absolutely does not have anything more important to do than extend this bit, to discuss Sonic the Hedgehog 3. Why does a movie about a fast hedgehog have this much plot, and why is it all so boilerplate? We get into it.
Elliott takes us on a tour of Best Picture Academy Award winners, filtered into his highly-scientific categories, and then asks us, “But which Best is BEST?”
