Producer Luc Besson and director McG made a bet about the number of tones they could cram into 3 Days to Kill, and the audience lost. Meanwhile Elliott does his classic “2000 Year-Old Killer” routine, Dan gets more inappropriately sexual than ever before, Stu introduces the concept of a “neck baby,” and TVs Jessica Williams stops by, because why the heck not?
We discuss Last Vegas, which is, of course, a documentary from the far future about the time the elderly Original Peaches and friend went to Las Vegas. Meanwhile Dan unveils his totally original, copyrighted concept, Elliott reveals how he does creep research, and Stu pulls out a letters surprise.
Yes, Elliott, it should be called I, Frankenstein’s Monster, but that doesn’t change the fact that we watched I, Frankenstein. Meanwhile Elliott reveals the secret sex fetishes of Archie Comics characters, we learn Stuart’s nicknames, and Dan asks the big metaphysical questions.
Despite being one of the more nothing movies we’ve ever watched, we somehow crap out what we believe to be our longest episode with G.I. Joe: Retaliation. It’s a living. Meanwhile, Dan and Elliott explain what “G.I. Joe” means, and develop President Ziggy, and Stuart reveals he’s an evil land developer.
We discuss Easy Rider: The Ride Back, an object lesson in why you should never let a movie’s sequel rights lapse. Meanwhile Dan explains the Flop House fan caste system, Elliott puts the “bar” in barter, and Stuart knows nothing about robots.
1980 was a simpler time, when you could put Clint Eastwood together with an orangutan, not bother to come up with a story, and release it as a major motion picture
Stu’s a guest on the Star Wars Minute podcast all this week.
We talk about Grudge Match, the movie that pretends DeNiro has a chance against steroidal Stallone. Meanwhile Dan discusses Kevin Hart’s need to do only Kevin-branded movies, Elliott uncovers Sean Connery’s strange belief he’s in every movie, and one of Stu’s relatives makes an unexpected appearance.
