A Podcast About Bad Movies
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You probably thought we forgot the hedgehog beat! We were just biding our time. Sometimes slow and steady wins the race, SONIC. We welcome our returning Senior Hedgehog Correspondent, Jamelle Bouie, who absolutely does not have anything more important to do than extend this bit, to discuss Sonic the Hedgehog 3. Why does a movie about a fast hedgehog have this much plot, and why is it all so boilerplate? We get into it.
Elliott takes us on a tour of Best Picture Academy Award winners, filtered into his highly-scientific categories, and then asks us, “But which Best is BEST?”
Yes, we never heard of it either. But trust us when we say that High Rollers (sequel to the equally nonexistent movie Cash Out) makes for a helluva S-tier Flop House episode, especially when it features longtime friend of the show Jordan Morris as our guest. Is Travolta the new Nic Cage? Well, if you’re watching Face/Off, yes, definitely. But in terms of FH movie greatness? Yeah, maybe!
Stuart combed cinematic history for visions of the future, then, like Ebeneezer Scrooge, demanded of his his co-hosts,””Are these the shadows of the things that Will be, or are they shadows of things that May be, only?” (Or, more Stu: “How likely are these predictions, dudes?”)
But what of the VULGAR auteurs? We check in with Paul W.S. “The Other Paul Anderson” Anderson’s latest “boy do I love my wife, Milla Jovavich” project, In the Lost Lands, based on some short stories by (checks notes) George R.R. Martin. Hmn. Wonder if Stu’s ever heard of this guy.
Dan quizzes his brothers in flop on the “cultural impact” of various films that made more than a billion bucks at the box office!
You know the old adage — dying is easy, briding is hard. Something like that. And if you’re looking for a comedy that feels like dying, Bride Hard certainly fits the bill. There are plenty of talented, funny folks who were involved in this film, so we try hard to find some joy. Did we succeed? Take a listen.
Elliott takes his co-hosts on a tour of properties entering the public domain this year, and leads a brainstorming session about how we might revamp or reboot them, now that we don’t have to pay anyone for the privilege.
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