Until Dawn, with Hallie Haglund
We wrap Shocktober 2025 up with a discussion of the extremely-loosely-based-on-the-videogame meta-slasher UNTIL DAWN. But that’s enough about the movie! We’re burying the lede! Hallie Haglund returns to join us…
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We wrap Shocktober 2025 up with a discussion of the extremely-loosely-based-on-the-videogame meta-slasher UNTIL DAWN. But that’s enough about the movie! We’re burying the lede! Hallie Haglund returns to join us…
Stuart’s popular “let’s discuss TV instead” mini format Tuboy Talkin’ Tube to Two Dudes, Tonight All Right returns with a little serious first amendment talk up front and then a lot of goofy Emmy talk.
Boo! Hahahha, gotcha! It’s SHOCKTOBER, when all the ghouls and ghosties and ghremlins and ghrim reapers come out to scare us! And at The Flop House it’s our traditional all-horror month! We kick off with 2024’s IMAGINARY, about the scariest thing in the world — an imaginary friend! And if you don’t believe us, watch that awful John Krasinski imaginary friend movie. We’re shivering just thinking about it!
We’ve made it no secret that we’re proud to have been included in the newly-published book, The Podcast Pantheon: 101 Podcasts That Changed How We Listen. On this episode we invited the author, Sean Malin, onto the show to help us discuss the MOVIE pantheon, and which canonical films we could all live without.
From the (?)genius(?) that brought us the legendary A Talking Cat!?! comes another tale of a talking animal and the humans who live with him in a California porn-shoot-mansion, doing…
Dan challenges Stuart and Elliott to lose as much money as they can by turning hit movies into bombs.
It’s Smalltember (Elliott pops into frame to say “Smallvember!”) — that special time of year when we allow ourselves to stray from big Hollywood movies to examine some tinier, more idiosyncratic pictures. And boy howdy is Lumina idiosyncratic! So we welcomed actor Ashlie Atkinson (The Gilded Age, The Lost Bus, Mr. Robot and much more) to help decipher the madness!
Elliott provides a survey of cinema’s eponymous doctors, and asks us whether we’d trust them with our medical care.
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