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FlopTV Season 4 is coming! New episodes the first Saturday of each month, September through February. Read more

A Podcast About Bad Movies

Banner art by Tony Ochre

Episodes

Episode #453

Love Hurts

Love DOES hurt. For instance, we love and only want the best for Everything Everywhere All at Once comeback king Ke Huy Quan, but then we have to witness him struggle through a movie like Love Hurts. Fortunately he comes off all right. The movie itself? Not so much. But hey, looks like he’s got Zootopia 2 and a movie from the guy who made Rare Exports coming up. Maybe those will be good!

Episode #452

Summer Camp

The Flop House is headed to Summer Camp! A few weeks of sun, swimming, hiking, crafts — we’re gonna make each other SO MANY FRIENDSHIP BRACELETS that our circulation is gonna cut off! We’re gonna have so much fu– what? It’s just a movie? But… it stars Diane Keaton, Alfre Woodard, and Kathy Bates, so with those actors it’s gotta be at least a little fun, righ– it’s not? Oh, poop.

Mini #127

Always Room for Giallo, with Alejandro Arbona

We’re joined by longtime friend of the show (but first time on mic!) Alejandro Arbona, a 20-year veteran of comics editing and a comics writer himself, to discuss everyone’s favorite extravagantly-perverse Italian thriller genre — GIALLO. We discuss what defines a giallo and differentiates it from other sub-genres (and the slasher films it helped inspire), and then Alejandro runs us through a little giallo title quiz. It’s so jam-packed with info we didn’t have room for Elliott (jk, he had scheduling issues, that li’l scamp will be back next time!).

Episode #450

Unfrosted, with Alex Smith

We flashback to discuss a movie that was much-requested when it was first released, but just didn’t fit into our schedule — Jerry Seinfeld’s baffling paean to the Pop Tart, Unfrosted, a film that throws an astounding cavalcade of comedy talent at ideas that seem (apologies) a bit undercooked. Also, we were blessed by the rare in-studio presence of our beloved producer, Alex Smith, who hadn’t actually seen the movie, which made explaining the madness of the “plot” all the more enjoyable.